Bower SLY358SE Ultra-Wide 8mm f/3.5 Fisheye Lens for Sony E (NEX) Digital

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Price: $239.00    

Product Feature

• Ultra-wide 8mm focal length with fisheye effect
• Dramatic 180� field of view
• Hybrid a-spherical lens delivers outstanding, sharp image capture
• High index, low-dispersion multi-coated optical glass to reduce flare
• Fixed tulip lens hood

Product Description

The ultra wide-angle 8mm f/3.5 lens for digital Sony E (NEX) cameras is a fully manual fisheye lens designed to capture all-encompassing images. Its advanced a-spherical, multi-coated optical glass reduces flare and minimizes outer-edge distortion for optimal image quality. Its remarkable 180° perspective provides the photographer with excellent versatility for shooting in cramped spaces and capturing wide-sweeping landscapes. Includes attached tulip lens hood, front and rear lens caps and lens pouch.

Bower SLY358SE Ultra-Wide 8mm f/3.5 Fisheye Lens for Sony E (NEX) Digital Review

Let me begin by saying that this lens is manufactured in Korea, not China, and is made by Samyang under their name as well as Bower and Pro-Optic.
I first encountered this lens on Ken Rockwell's web site, where he gives it a glowing recommendation. On further review, I found equally glowing reports of the Pro-Optic on Amazon and Adorama web sites.
This is a manual lens, so you have to do a little work when using it. Loss of auto focus is no big deal with a lens this wide, since its hyperfocal range is so great - just set it at 10 feet, and you should have all distances covered. Depending on your camera, you may or may not lose auto exposure. I shoot this with a Nikon D200, and can auto expose with aperture priority - not all Nikons can do this, however, only the more advanced - it will not auto expose with the D40 or other entry-level cameras, so it pays to research this lens with your camera if lack of auto exposure is a deal breaker.
The images this lens produces are SHARP. It's hard to believe that such an inexpensive lens can be so good. Keep in mind this is a fish eye lens, and it produces a great deal of distortion, especially on the edges. This being said, it's certainly not the lens to keep on your camera as a "walk around" - its suited for special effects and impact, so I wouldn't recommend it as your primary lens.
To sum up, if you're looking for a fish-eye lens, it's hard to go wrong with this bargain - its popularity seems to be growing, and I wouldn't be suprised to see the price go up, as happened to the Tokina 11-16mm 2.8, which originally sold for about $100 under its current price (when it's available).

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